I used to have enough books to fill two tall bookshelves. In the summer of 2017, I donated almost all of them. It might seem like a bizarre twist of logic but getting rid of my books made me more of a reader.
From an outsider’s perspective, Paris is a city of culture, romance, and art. You value the atmosphere as you stroll through the streets and think of all the great artists who have walked before you. It is no surprise then, that “the bookshop” is one of the most popular tourist destinations.
Offering over 44 million titles, the world’s biggest bookseller seems like the most trustworthy source to get a recommendation. With so much to choose from, you would think our reading preferences would expand with each Amazon order. But we often find ourselves browsing the same section of the virtual bookshelf.
I Love Dick is a manifesto for a generation of women who want to have it all, say it all, and be it all. Its journey from an underground, experimental novel to a cult classic shows far how ideas about women and femininity have evolved in that time.
The heart of World Book Day is encouraging book haters to become book lovers, to tackle the elitist stereotypes around reading, to give a child a form of escapism. How can we not justify this scheme being useful for adults?
“When I write, I’m not a woman, I’m not a Moroccan, I’m not a Muslim, I am whatever I want.… Love has no nationality,” says author Leïla Slimani. This raises the question, and a paradox for our age: Should authors from a minority background be restricted to writing novels based on their own experience?
Mainstream literature can learn a lot from YA fiction about writing characters. It should be remembered that not all characters need to be straight and white. YA provides a great, safe place for BAME and LGBT+ writers and readers alike to see themselves represented.
Call it the Trump effect: “post-truth” was named Oxford Dictionaries 2016 word of the year. It is no coincidence that the literary memoir has appeared in abundance on shelves ever since.
One of the most successful and prolific horror writers of all time, Stephen King has sold over 350 million copies of his novels since the start of his career. King’s kingdom expands further than the territories of literature, however, with a new crop of cinematic adaptations gaining worldwide praise and success.
With the novel celebrating its 150th anniversary in 2018 and the release of its sixth film adaption in 2019, Little Women has seen a recent surge in popularity. To what extent do film adaptations ‘re-brand’ the original book