
By Olivia Ross While browsing on Instagram, I came across a screenshot that made me stop. Normally I ignore these ‘so relatable’ tweets but this one was interesting. Something to know about […]
By Olivia Ross While browsing on Instagram, I came across a screenshot that made me stop. Normally I ignore these ‘so relatable’ tweets but this one was interesting. Something to know about […]
Sophie Stamford Just ten days into what many expect to be another pretty gloomy year, the cast of (well, most of it…) Sex and the City made the prospect of 2021 a […]
Josh Hatton Meet the films that terrify producers far more than they ever scared audiences. These movies all bombed at the box office, and today we are here to look at the […]
Time and again award shows have faced an onslaught of backlash about the lack of diversity amongst their nominees and winners. However, the 2021 Golden Globes decided they wanted to tick gender off their list of diversity boxes in terms of nominations. Their list contained, most excitingly, three female nominations for best director. Unfortunately it wasn’t until I saw who the nominations were for, that I began to once again question the validity of their choices.
If you’re a millennial baby like me, the High School Musical trilogy was a big deal. “We’re all in this together” and “Fabulous” are the soundtracks to our childhoods, and in a burst of lockdown nostalgia, I took a trip down memory lane and rewatched the trilogy.
Last year, Parasite became the first South-Korean film to be nominated at the Oscars. It also became the first non-English language film to win Best Picture, taking home four Academy Awards in total. In contrast, this year the Golden Globes brought some controversy surrounding the exclusion of Korean-American film Minari. Undoubtedly, international cinema in predominantly English speaking countries has increased in popularity in recent years.
Caitlin Hall The traditional model of film distribution is slowly dying, and COVID-19 may be the final death knell for the industry. With many theatres closed for the foreseeable, distribution companies have […]
It’s begun. January 2021 has marked the start of Covid-19’s hardly anticipated debut into entertainment’s fictional realm.
by Sarah Elliott The release of Wreck-It Ralph 2: Ralph Breaks the Internet was hotly anticipated since the release of the trailers. It’s not Ralph, however, or even his pint-size co-star Vanellope, […]
By Izzy Davies Vice journalist Oobah Butler staged an experiment during which he managed to catapult a fictitious restaurant – The Shed at Dulwich – to TripAdvisor’s coveted number 1 spot. He […]