Bookstagram. It’s exactly the mishmash you think it is, books and Instagram. Bookstagram, is the bookworm’s platform to artistically showcase their myriad of books and their vast love of literature. So how do you do it?
Leah Golder discusses the reality of book banning and censorship.
‘Public Domain Day’, otherwise known as New Year’s Day , marks the expired copyright on texts entering the public domain. A. A. Milne’s Winnie the Pooh, Ernest Hemingway’s The Sun Also Rises and Agatha Christie’s The Murder of Roger Ackroyd to name a few released in 2022. The significance of giving way to creative licence can be seen in the development since The Great Gatsby’s release in the US in 2021, with 34 new print editions published in the past year and the development of a television adaptation by Michael Hirst.
Amelia Chambers discusses the unoriginality of recent book covers
Secondhand books don’t often have much financial value. However, last year 54 million used books were sold online in the UK. So, what is the appeal? Don’t get me wrong, I love a shiny, previously unopened paperback from time to time but there is something about secondhand books that captures me more.
The bold covers and big names entice us, but just how authentically impartial are the bookshop displays that influence our book buying habits?
We are living in an age of book covers that pander to social media users, viewing their prospective purchases on small smartphone screens. Publishers have to know their particular audience, and their books must be able to catch your eye immediately. But must universal success always come in the form of bold strokes of bright colour and block titles that swallow up the page?
When the dulcet tones of Boris Johnson graced our screens in March 2020, we gathered anxiously around the television, waiting for the grim truth that we all knew was coming. Rolling out before us was a weary drain of time – weeks and months of uncertainty, wandering around the same muddy field, dreading the unrelenting enthusiasm of Joe Wicks, glancing at one another as if to say is it too early for a glass of wine?. As doors locked and days opened up, we settled onto our sofas and looked for something to do.
Following a recent article published by The Guardian, detailing Monica Ali’s depression caused by the reaction to her novel Untold Story, the conversation surrounding who is responsible for representation in literature resurfaced. Should the role fall solely on the same people who are under-represented? Or should society, as a whole, strive for equal representation for all writers and experiences?
Abi Ramsay discusses the rising trend of modern retellings of Ancient Greek tales.