
In 1932, the father of Futurism, Filippo Tommaso Marinetti, unveiled his Futurist Words in Freedom: Olfactory, Tactile, Thermal, an object now known as the ‘tin book’. Comprised of 30 aluminium pages lithographed […]
In 1932, the father of Futurism, Filippo Tommaso Marinetti, unveiled his Futurist Words in Freedom: Olfactory, Tactile, Thermal, an object now known as the ‘tin book’. Comprised of 30 aluminium pages lithographed […]
When graffiti artists look at walls and pavements, trains and vans, lamp-posts and railings, what do they see? They see a blank page, a canvas on which to exhibit their art, their […]
Margaret Atwood recently announced a sequel to The Handmaid’s Tale, inspired, she says, by “everything you’ve ever asked me about Gilead and its inner workings”. The Testaments, to be narrated by three […]
Google these words: “Storytelling and Marketing”. Wait, read this first! But try it afterwards. You’ll be inundated with search results. Article after article will tell you that ‘storytelling’ should be intrinsic to […]
In a tiny village in the centre of York stands a 13-sided playhouse. We rush past stalls offering culinary delights, the pretty Elizabethan garden, and then the portaloos to the ‘groundlings’ entrance. […]
This article contains spoilers We eat meat. Animals are made of meat. Yet in the UK, veganism has grown by 360% over the last decade. In 2017, Netflix released Okja by Bong […]
‘If you love something, let it go. If you don’t love something, definitely let it go. Basically, just drop everything, who cares.’ (“If You Love Something,” from One More Thing: Stories and […]
In the midst of a battlefield drenched in blood, a king stumbles through his ranks, an arrow buried deep in his eye. Body parts are scattered across the grass. The stench of […]
The Guardian broke the news. They announced the print death of the New Musical Express. Perhaps there’s some cruel irony in the fact that it was an online article that announced its […]
Dave Malloy’s cult classic Natasha, Pierre & the Great Comet of 1812 opens by admitting that this adaptation of a certain ‘complicated Russian novel’ cannot capture the scope of its source material, […]